One of the most important museums in the world

READ MORE ->

The Old Masters Picture Gallery, also known as the Gemäldegalerie Alte Meister, is located in the Zwinger complex in Dresden, Germany, It is one of the most renowned art museums in the world, housing a vast collection of European paintings from the 15th to the 18th centuries.

The gallery features an impressive array of masterpieces by artists such as Raphael, Titian, Vermeer, Rubens, Rembrandt, and many others. The collection includes works from various art movements, including the Italian Renaissance, Baroque, and Dutch Golden Age.

One of the most famous paintings in the gallery is Raphael's 'Sistine Madonna', which showcases the iconic image of two cherubs at the bottom. Other notable highlights include Vermeer's 'Girl Reading a Letter at an Open Window', Rembrandt's 'Self-Portrait as the Apostle Paul', and Cranach the Elder's 'Judith with the Head of Holofernes'

The museum provides visitors with an opportunity to immerse themselves in the rich artistic heritage of Europe. The carefully curated collection offers a glimpse into the evolution of painting styles and techniques throughout history. With its grand architecture and stunning artworks, the Gemäldegalerie Alte Meister is a must-visit destination for art enthusiasts and history buffs alike.

The Staatliche Kunstsammlungen Dresden are one of the most important museums in the world - 14 museums offer a thematic variety that is unique in its kind.

READ MORE ->

Frederiksborg Palace is situated on three islets in the castle lake in Hillerød, north of Copenhagen. The palace, which is surrounded by the beautiful Frederiksborg Palace Garden, was built in the Dutch Renaissance style at the beginning of the 1600s by King Christian 4. The palace was built in Dutch Renaissance style by King Christian 4 in the 17th century. After a devastating fire in the middle of the 19th century, the palace was rebuilt by the owner of the Carlsberg Breweries, J. C. Jacobsen. READ MORE ->

LOUISIANA MUSEUM OF MODERN ART is a leading international museum of modern art. Located on the coast it strikes that rarest of balances between landscape, architecture, and art in a unique interaction that attracts visitors from around the world and makes a visit to Louisiana something special throughout the year. READ MORE ->

Museum is a hidden gem, with amazingly large scale sculptures and artworks.

The fortified church in Kampehl is a double-shell fieldstone building dating back to the first settlement of the town in the 13th century. The church was renovated in 2011. The mummy of the Knight Kalebuz, which can be visited during a guided tour, is...

READ MORE ->

This townhouse, one of the most beautiful in Wittenberg, was built by Elector Johann Friedrich in 1536 for the scholar Philipp Melanchthon, who lived here with his family until his death.

Philipp Melanchthon is one of Martin Luther's closest companions and one of the most important actors in the Wittenberg Reformation.

Museum with interactive exhibits on life in Communist-era East Germany & the reunification process. - Google.

Museum celebrating the composer's life, with interactive musical displays & original manuscripts. - Google.

An impressive building complex in Art-Deco style, houses three museums of domestic and international significance: the Museum of Applied Arts, the Museum of Ethnology and the Museum of Music instruments. At the center of attraction in the three museums are their respective new feature of permanent exhibitions and alternating special exhibitions. The centerpiece of Grassi Museum is the Art Deco column hall. The central exhibition and event hall designed in shining red-gold-blue remains unparalleled all over Europe. The column hall that is named after its twelve ceiling-high triangular columns, represents the exclusive designing style of Art Deco. Grassi Museum is seen as a place of culture and inspiration. Its vegetated inner courtyards, the old Johannis cemetery, which looks like a park and the highly inviting Museum Café set the scene perfectly well for enjoying leisure time. READ MORE ->

Museum devoted to Jewish life featuring Judaica objects from the Middle Ages & educational exhibits. -Google. The main location for the Jewish Museum is an imposing 17th-century house. Franconia was an important cradle of Jewish life in southern Germany, with more than 400 Jewish communities. The Jewish Museum of Franconia offers a fascinating glimpse into nearly 1,000 unbroken years of Jewish history. READ MORE ->

The name of the castle was first mentioned in the 1157. The earliest part surviving until today was built around 1250 under the rule of the Hohenzollern, Conrad I.

Museum in a 13th-century Dominican convent housing exhibits of medieval weapons, pewter ware & more. - Googhle. The museum is housed in the former Dominican convent ((it was dissolved in the 16th-century), whose 13th-century kitchen is well preserved ( the oldest of its kind), and the 14th-century panels of the Rothenburg Passion. It presents the town's history and possesses the collections of the Baumann Foundation, which trace the history of weapons from the Stone Age to the 19th century (including hunting weapons once used by Frederick the Great). One section deals with the Jewish community of Rothenburg. Finally, some halls are dedicated to the painter Arthur Wasse (1854-1930).

Sizable Christmas museum with historical exhibits & a popular shop selling decorations. - Google.

The Counts of Abenberg built their first wooden castle in the middle of the 11th century. A hundred years later, they erected this stone fortification - one of the most impressive in Bavaria. The counts patronized the medieval poets - Tannhäuser, which was reflected in their works of the 13th century. Two towers – the slender 'Luginsland' watchtower and the massive 'Schottenturm' (Schott Tower) – dominate the striking silhouette of the castle. Neither was built until the 80s of the 19th century. READ MORE ->

The rise and fall of the imperial city of Dinkelsbühl as well as the discovery of the city of Munich painters lying in Dornrößchenschlaf represent the great arch that runs through the exhibition. Embark on the search for traces of over 800 years of history.

The departments of sculpture, arts and crafts and city history. The collection of sculptures and other works from the late Renaissance is one of the highlights of the Maximilian Museum. At that time, Italian and Italian-trained artists such as Adriaen de Vries worked in Augsburg. Extraordinary goldsmiths testify to the past of Fuggerstadt as one of the most important goldsmith metropolises in Central Europe.

The museum within a synagogue depicts local Jewish culture & history from the Middle Ages to the present. -Google. The monumental synagogue on Halderstraße in Augsburg was built between 1913 and 1917 according to designs by the architects Fritz Landauer (1883–1968) and Dr. Heinrich Lömpel (1877–1951). It is an impressive testament to German-Jewish culture, an outstanding document of Jewish history in Bavaria, and today once again the heart of a Jewish community. READ MORE ->

New Gothic style castle, summer residence of King Ludwig II, with ornately furnished state rooms. -Google. The ruined castle Schwanstein was rebuilt in the Gothic Revival style by Crown Prince Maximilian of Bavaria. Here King Ludwig II not only spent his youth, but this castle also served him as a summer residence until his death in 1886

The convent’s museum is located in the Planta Tower, an over one-thousand-year-old fortified residential tower. The sound of the liturgical bell invites you to follow your guide on a journey through 1200 years of convent and architectural history.

READ MORE ->

This historic site is a Benedictine nunnery that dates back to the 8th century. It is renowned for its well-preserved Carolingian frescoes, making it a UNESCO World Heritage Site

The convent was founded by Charlemagne's sister, Emperess Hildegard, in 775 AD. It served as a refuge for noblewomen during the Middle Ages and has been continuously inhabited by Benedictine nuns since its establishment

The highlight of the Convent of St. John Müstair is its impressive frescoes. The paintings, created in the 9th century, depict biblical scenes and saints. These frescoes are considered exceptional for their artistic quality and their preservation over centuries

Visitors can explore the convent's various rooms, including the church, cloister, chapter house, and museum. The church features a striking Romanesque-Gothic architecture, while the cloister offers a peaceful and serene atmosphere. The chapter house houses an exhibition on the convent's history and the frescoes

Aside from its historical and artistic significance, the Convent of St. John Müstair is an active religious community. The Benedictine nuns living here follow a life of prayer, contemplation, and work

The convent is open to the public, and guided tours are available to learn more about its rich history and cultural heritage. Visitors can also purchase locally made products, such as herbal remedies and crafts, from the convent's gift shop

Overall, the Convent of St. John Müstair is a remarkable place to visit, offering a glimpse into centuries of history, art, and spirituality.

City museum in Lombard Benedictine monastery complex, including artefacts from the region's history. -Google. The Museo di Santa Giulia mostly presents artworks, archaeological artifacts, and objects of applied arts related to the Brescia territory from Prehistory to the 19th century. The collections of archaeology, and art from antiquity to the Middle Ages include Celtic artifacts, ancient Roman mosaics and sculptures, including the famous bronze statue of the Winged Victory of Brescia, dating back to the 1st century AD; and an exceptional collection of Longobard mosaics, frescoes, bronzes, arms, and ritual objects including the famous Cross of Desiderius, a gold-plated wooden processional cross dating back to the 9th century AD. READ MORE ->

The magnificent structure of Castelvecchio which means the Old castle, hosts one of the fascinating museums, not only in Italy but in entire Europe. The building exhibits exciting art collections and is well-known for its rich history and architectural value. Castelvecchio was built in 1355 by the Della Scala family, the ruling dynasty of Verona in the middle age. It was planned both as a defensive fortification and a home but was successively adjusted by future invaders such as Venetians, the French, and the Austrians, which it was used as a barracks both during Napoleonic and Austrian rule. READ MORE ->

Museum within a 13th-century convent showing frescoes from the Middle Ages, plus Roman sculpture. -Google. READ MORE ->

Castle, originating in 11th century, housing a museum with ancient Egypt, Roman & Greek artifacts. -Google. READ MORE ->

The place of residence and death in the final years of poet Friedrich Hölderlin Restored tower with medieval origins, once home to a famed poet, with displays on his life & work. -Google.

This tower was built in the 12th century as a home for the Suardi family & offers panoramic views. -Google. The Civic Tower, otherwise known as the Campanone, which with its height of 52.76 metres, offers a breathtaking panoramic view of the old town. At the top, accessible by foot (230 steps) or more comfortably in the lift, you will find the largest bell in Lombardy. READ MORE ->

San Giacomo Gate (“Porta San Giacomo”) used to be the entrance to Bergamo for those who came from Milan. It’s the only access to the Walls that can be perfectly seen from Viale Vittorio Emanuele, the axis crossing Lower Bergamo from South to North, both for its position and for its colour. In fact, it is made of white marble extracted from Zandobbio’s quarries, in the near Cavallina Valley: this material makes the gate stand out against the grey defensive walls. Due to these characteristics, besides being one of the most photographed places of Bergamo, it is also an ideal background on which projecting coloured lights during particular events (for instance, the colours of the Italian flag during national celebrations. Lean on the balustrade and enjoy, on one side, a stunning view of the Venetian fortification, and a fantastic panorama of the Lower Town and the Plain up to the Apennines on the other one! READ MORE ->

Founded in 1561 as a mere “Collection of old stuff”

Behind the Santa Maria Maggiore Basilica, follow the silent Via Arena to reach the Domus Magna: here, on the first floor, is the Donizetti Museum. The visit allows to know more about life, work and personality of Gaetano Donizetti, protagonist of the European musical scene of the early 19th century. Autograph scores, portraits, letters, objects belonging to his private life lead you on a fascinating journey: the words and the music of the great composer will be your guide. READ MORE ->

Memorial park dedicated to the victims of the atomic bomb & advocating for world peace since 1954.-Google.

10th to 12th centuries rock-cut churches and monk-cells that hold fabulous frescoes. Cappadocia's Göreme Open Air Museum has about 30 ancient churches, and it's about as far from a traditional museum as it’s possible to get. Within the haunting landscape of stone pillars, the roughly cut rock churches—particularly those of the Dark Church and the Church of the Buckle—contain some of the best-preserved frescoes in Cappadocia. By the end of the 2nd century AD, the Göreme Valley had been transformed into a hub of Christian activity, with converts fleeing persecution drawn to the area's natural defenses, including entire settlements underground. Yet another underground city has recently been discovered at Cappadocia, and archaeologists believe it could be the largest subterranean city ever known. Dating back 5,000 years, with corridors running as deep as 371 feet, this newfound labyrinth is believed to be the size of 65 soccer pitches.

historic caravanserai holding artifacts from up to 7500 years, including the most extensive and valuable collection of Hittite artifacts in the world. The caravanserai is worth seeing in itself, but the exhibits are even more so. If you are at all interested in the ancient history of Anatolia and the Near East, you cannot miss it. READ MORE ->

Inaugurated on 8 June 2005, Pera Museum is a private museum founded by the Suna and İnan Kıraç Foundation. The aim of offering an outstanding range of diverse high quality culture and art services is as important today as when the Museum first opened its doors to the public. Couched in the historic quarter of Tepebaşı, the impressive building was originally conceived as the Bristol Hotel, designed by architect Achille Manoussos. Restorer and architect Sinan Genim was given the daunting renovation operation in 2003; the triumph of transforming the interior into a modern and fully equipped museum is only matched by the architect’s mastery in simultaneously preserving the exterior facade, safeguarding an integral part of Istanbul’s architectural flavor. READ MORE ->

Powered by Translate Istanbul's Great Palace Mosaic Museum (Büyük Saray Mozaik Müzesi) is a series of protective shelters above 6th-century mosaics that once graced the floors of Byzantine Constantinople's Great Palace (Palatium Magnum). The mosaics in the museum, behind Istanbul's Blue Mosque (Sultanahmet Camii) on Torun Sokak, just off the Arasta Çarşısı (Arasta Bazaar; map), are lively, artful images of 90 different hunting scenes, mythical beasts, fantastic objects and imaginings, with 150 characters over a mosaic area of 250 square meters, perhaps the largest single installation of mosaics to survive from Late Antiquity (450-550 CE).

Showcases archaeological and artistic treasures from the Topkapı collections. Housed in three buildings, its exhibits include ancient artefacts, classical statuary and an exhibition tracing İstanbul's history. There are many highlights, but the sarcophagi from the Royal Necropolis of Sidon are particularly striking. READ MORE ->

One of the magnificent ancient buildings of İstanbul is the Basilica Cistern located in the southwest of Hagia Sofia. Constructed for Justinianus I, the Byzantium Emperor (527-565), this big underground water reservoir is called as “Yerebatan Cistern” among the public because of the underground marble columns. As there used to be a basilica in the place of the cistern, it is also called Basilica Cistern.xcept couple of the edged and grooved columns of the cistern, majority of them are shaped as a cylinder. Two Medusa heads, which are used as supports under the two columns at the northwest edge of the cistern, are the great work of art from the Roman period.

The Hagia Sophia, one of the historical architectural wonders that still remains standing today, has an important place in the art world with its architecture, grandness, size and functionality. The Hagia Sophia, the biggest church constructed by the East Roman Empire in Istanbul, has been constructed three times in the same location. When it was first built, it was named Megale Ekklesia (Big Church); however, after the fifth century, it was referred to as the Hagia Sophia (Holy Wisdom). The church was the place in which rulers were crowned, and it was also the biggest operational cathedral in the city throughout the Byzantine period. The first church was constructed by Emperor Konstantios (337-361) in 360. The first church was covered with a wooden roof and expanded vertically (basilica) yet was burned down after the public riot that took place in 404 as a result of the disagreements between Emperor Arkadios (395-408) wife empress Eudoksia and Istanbul’s patriarch Ioannes Chrysostomos, who was exiled. The patriarch’s mosaic portrait can still be viewed at the tymphanon wall located in the northern part of the church. No remains have been recovered from the first church; however, the bricks found in the museum storage branded 'Megale Ekklesia' are predicted to belong to the first construction. The second church was reconstructed by Emperor Theodosios II (408-450) in 415. This basilical structure is known to contain five naves and a monumental entrance; it is also covered by a wooden roof. The church was demolished in January 13, 532, after the public riot (Nika revolts) that took place during the fifth year of Emperor Justinianos’ reign (527-565), when the ‘blues’ who represented the aristocrats, and the ‘greens’ who represented the tradesman and merchants in the society, collaborated against the Empire. Remains found during the excavations led by A. M Scheinder of the Istanbul German Archeology Institute, 2 meters below ground level, include steps belonging to the Propylon (monumental door), column bases and pieces with lamb embossings that represent the 12 apostles. In addition, other architectural pieces that belong to the monumental entrance can be seen in the west garden. The current structure was constructed by Isidoros (Milet) and Anthemios (Tralles), who were renowned architects of their time, by Emperor Justinianos’s (527-565) orders. Information from historian Prokopios states that the construction that began on February 23, 532, was completed in a short period of five years and the church was opened to worship with a ceremony on December 27, 537. Resources show that on the opening day of the Hagia Sophia, Emperor Justinianos entered the temple and said, 'My Lord, thank you for giving me chance to create such a worshipping place', and followed with the words 'Süleyman, I beat you', referring to Süleyman’s temple in Jerusalem.

The Sámi Museum Siida is the national museum of the Sámi and a national special museum in Finland. The Sámi Museum stores the spiritual and material culture of the Finnish Sámi in its collections and presents it to the public through its exhibitions and publications. Its main purpose is to support the identity and the cultural self-esteem of the Sámi. READ MORE ->

Not far from Ephesus' heavily-visited, millennia-old ruins, the city's treasures have found a home within the archaeological museum

Wawel Royal Castle is one of the most significant places in Poland in terms of history and culture. Throughout the centuries, it has been the seat of Polish kings and the symbol of the state; in the interwar period it became one of the most important Polish museums.

READ MORE ->

The Historical Museum in Regensburg was founded in 1931 in the former Minorite Monastery of St. Salvator. The building complex from the 13th century houses today various exhibitions from different eras of the Regensburg and East Bavarian history. From the Stone Age to the Modern Age. Roman Regensburg is the most famous and popular exhibition in the museum. The visitor gets an insight from the 1st to the 5th century AD. 'Castra Regina', today's Regensburg, was the most important military base on the border of the Roman Empire in present-day Bavaria. Very impressive here is a replica of a Roman house with heated living room and kitchen.

Benedictine monastery on a lake island, with a Carolingian gate hall & a centuries-old church. The Frauenwörth monastery appears to incoming visitors like a world of its own. It is considered the heart of the Fraueninsel and is home to a Benedictine abbey in the middle of Lake Chiemsee. The nunnery, which was founded in 772, is the oldest in Germany today. You can see the white campanile from afar and with the ship you get closer and closer to it. You can feel the tranquility of this place passing over you. Today the Frauenwörth Abbey also functions as a conference hotel.

The largest lake in Bavaria is the Chiemsee, which is otherwise known as the 'Bavarian Sea'. The name has a kernel of truth in it: not only does the lake, which has an area of 80 square kilometres, have tides like the sea, it also originated from the primeval Thetis Sea which once covered almost half of Europe. READ MORE ->

The Art and History of Venice .In the Napoleonic wing that was during the 19th century house of kings and emperors with their impressive neoclassical rooms, we find an important collection of works of one of the greatest sculptors of that time, Antonio Canova (1757-1822). In this museum we can also visit the New Magistrates, 'Procuratie Nuove', which were designed between 1552-1616 by the architect Vincenzo Scamozzi and where once the most important civic authorities of the Republic of Venice were housed. Located in St. Mark Square since 1922 and occupies the spaces of the Napoleonic Wing and part of the New Attorney offices that were designed by Vincenzo Scamozzi a building that frames three quarters of the square. The design and realization of the Napoleonic wing belong to the time in which Venice was part of the kingdom of Italy when Napoleon was its sovereign between 1806 and 1814. zREAD MORE ->

The Villa Farnesina in Rome, built in the early six¬teenth century for the rich sienese banker Agostino Chigi and now owned by the Accademia Nazionale dei Lincei, is one of the noblest and most harmonious creations of the Italian Renaissance. It is a masterpiece in which architectural design and pictorial decoration fuse in¬to a single marvellous synthesis. The sober volumet¬ric and spatial layout of the Villa, devised by the architect Baldassarre Peruzzi, is indeed the per¬fect setting for its rich interior decoration, boasting frescos by great masters such as Raphael, Sebastiano del Piombo, Giovanni Antonio Bazzi known as Sodoma, and Peruzzi himself. After a somewhat troubled history and many changes of ownership, the Villa now bears the name and preserves the memory of the Farnese family, who acquired it in 1579 in violation of the binding legal conditions imposed by its original owner. It should re¬ally have been named after Agostino Chigi, the high¬ly ambitious patron and art-lover who was born in Siena in 1466 and who commissioned the Villa as the tangible sign of his own personality and high culture, decorating it magnificently and living in it until his death in 1520. Agostino came from a family of mer¬chants who became bankers. After receiving train¬ing in his father’s bank, he soon became familiar with the finances of the Papal States and at just twenty years old, he founded his first company in Rome. With the election of the Borgia pope Alexander VI in 1492, business increased for the sienese bankers, and Agostino’s affairs prospered so well that within a short time he was lending huge sums of money to Cesare Borgia, Piero de’ Medici, Guidobaldo da Montefeltro and even to the French king Charles VIII. However the real ba¬sis of his immense fortune came from the rights he owned to the alum mines of Tolfa near Rome. By rationalising and nurturing the extraction and sale of this valuable mineral salt, which was indispensable for the dyeing of fabrics, Agostino became the pos¬sessor of a flourishing international monopoly with his own fleet, anchored at Porto Ercole. After the very brief pontificate of Pius III Tode¬schini Piccolomini, his business relations with Julius II della Rovere were no less profitable. He assisted in Julius II’s election, and apart from financial matters, the two were quite attached by a shared love for art, literature, theatre and the an¬cient world. In 1509 Julius II accepted him into the papal familia and allowed the Chigi arms (six hills crowned with a star) to be charged with the Della Rovere oak. The rich banker also managed to ingratiate himself with the next pope, Leo X Medici, by organising feasts and lending sums of money. Before moving into the Far¬nesina, Agostino Chigi lived in a house in Via dei Banchi with his young wife Margherita Saracini, who died childless in 1508. He then embarked on an affair with the courtesan Imperia, famous for her beauty and culture, who bore him a daughter, Lucrezia. But even before the death of Imperia in 1511 he had begun to court Margherita Gonzaga, the natural daughter of Francesco Gonzaga, Marquis of Mantua; he failed to pull this marriage off however, even though he had promised to give up all his business interests so as to appease the prejudices of the Mantuan court. In 1511, on a debt-collecting mission to Venice, he met a young girl of humble origins, Francesca Ordeaschi, and lived with her as her common-law husband until 1519. In that year on the feast of St Augustine, no doubt prompted by a sense his own mortality, he decided to regularise his position with a proper wedding and at the same time dictated his Will. The wedding banquet was a memorable event, but no less sumptuous were the many feasts that Agosti¬no gave, especially in the last years of his life, when he welcomed into his new home the foremost per¬sonalities of the age: poets, princes, cardinals, even the pope himself. The chroniclers record for exam¬ple that in 1518, on the occasion of the christening of the eldest child Lorenzo Leone, gold and silver vessels used for the banquet were flung into the Tiber as a sign of munificence (though it appears that the wily banker had ordered nets to be laid on the river bed so that the valuable objects could be recovered the next day). After its acquisition by Cardinal Alessandro Farnese the Younger, and after the death of his nephew Odoardo who inherited it, the Villa was abandoned, being occasionally lent to important vis¬itors to Rome such as Cardinal Richelieu, Cardinal Frederick of Assia-Darmstadt, Queen Christina of Sweden and various ambassadors of Louis XIV. In 1735 the Villa was bequeathed by Elisabetta Farnese to Carlo IV, King of the Two Sicilies, and became the residence of various Neapolitan ambassadors until Francesco II of Naples, having retired to Rome after his abdication, granted a 99-year lease on the Far¬nesina to the Spanish ambassador of Naples, Sal¬vador Bermudez de Castro, the duke of Ripalta. Finally the Villa was acquired in 1927 by the State, which used it to house the Italian Academy and in 1944 gave it to the Accademia Nazionale dei Lincei, housed in the nearby Palazzo Corsini. http://www.villafarnesina.it/?page_id=47&lang=en

The Guarnacci museum is one of oldest public museums of Europe: it began in 1761 when the noble abbot Mario Guarnacci (Volterra 1701-1785) gave its enormous archaeological heritage, collected over years of research and purchases, to the 'public of the city of Volterra'. The current disposition and location of materials demonstrate Maffei’s positivistic impact, with items separated by classes and the urns distinguished according to the theme of the bas-relief on the case. While respecting the historic memory of this arrangement, an attempt was made, in recent times, to associate it with another, more didactic, chronological tour inside the exhibition itself, able to conduct the visitor through the long history of the Etruscan Velathri. READ MORE ->

Images and testimonies of torture from the Middle Ages to the Industrial Era. These items come from all over Europe; some of them are rare and dating back to the 16th and 17th centuries, or perfect copies of hard to find originals from the 1800s and 1900s. Complex machinery shows how human imagination and intelligence had no limits in the research for instruments of torture. Arms, devices and instruments of torture, for capital execution and public humiliation, engravings, prints and original paintings. The collection is furnished with pictures and descriptions in different languages. The presentation, despite the subject of the museum, is sober, made up of images and testimonies that represent faithfully the atrocity of the violation of human rights. An exhibition that aims to be an accusation against torture and capital execution and that wishes to attract the visitors’ attention to those countries where democracy and human rights are a mirage. READ MORE ->

Jenisch Haus is one of the most beautiful historic buildings in Hamburg. It is located in a spacious landscape garden on the banks of the Elbe. From the rooms facing south you have a spectacular view over the river and ships. Originally Jenisch Haus was the country seat of the Hamburg merchant construction senator Martin Johan von Jenisch the Younger. It was built between 1831 and 1834 to designs by Franz Gustav Forsmann and Karl Friedrich Schinkel. READ MORE ->

Dockside exhibition of restored sailing ships & working boats from the 19th & 20th centuries.- Google

Collection of 20th-century art in the Palazzo dell'Arengario, focusing largely on Italian works.-Google.

The Museo del '900, located in Piazza Duomo in the Palazzo dell'Arengario, houses one of the most important art collections of the twentieth century. In addition to the paintings, statues and installations that make up the heritage of the Permanent Collection, the museum hosts numerous temporary exhibitions that follow one another over time.

READ MORE ->